Although the interrogation room set is one floor down and further along the wall it is still not easy to get the lighting equipment near the windows due to vans and catering vehicles parked there ,,, but I was able to start off with two 12x12 frames very close and square to the walls ,,, either side of the Windows . The sun had now moved around to punch straight into the warm coloured blinds that David Chapman and I had discussed hanging over the windows . The sun was not controllable at all ,,,,,,,,, And not reliable in Halifax ,,, So the Blinds were my only defence . I was hoping to get ALL the wide shots finished before the sun moved off the Blinds ,,, But Actor shooting order and a Lunch that always seems to be toooo long interfered ......... I had to position a 18K under slung on a man lift ,, ( boom boom , cherry picker , or what ever you call them . depending where you are ) ,,, hight up between the 2 windows to reproduce a hard sun like shadow .... It would not be exactly the same but it would be close enough for the lengths of the Wide shot cuts to fool most viewers .
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